423b2e
423b2e

8.21.2011

frustration



I searched and searched for a poem that illustrates the confounding differences between how men think and how women think. I never found exactly what I was looking for, but The Bench certainly exemplifies the profound differing points of view. For instance, when I say to my beloved, "I am sad." I mean simply: comfort me in my sadness. What my beloved hears is, "Danger Will Robinson! There is a problem that must be fixed. Fix it!" or maybe not. I could be projecting. Anyway, I am posting only a portion of The Bench (because the argument in it did get a little tedious towards the end.) And if you have any words of wisdom / point of view, please please feel free to share!


The Bench
by Mary Ruefle

"My husband and I were arguing about a bench we wanted to buy and put in part of our backyard, a part which is actually a meadow of sorts, a half acre with tall grasses and weeds and the occasional wild flower because we do not mow it but leave it scrubby and unkempt. This bench would hardly ever be used and in summer when the grasses were high would remain partially hidden from view. We both knew we wanted the bench to be made of teak so that it would last a long time in the harsh weather and so that we would never have to paint it. Teak weathers to a soft silver that might, in November or March, disappear into the gray hills that are the backdrop of our lives. My husband wanted a four foot bench and I wanted a five foot bench. This is what we argued about. My husband insisted that a four foot bench was all we needed, since no more than two people (presumably ourselves) would ever sit on it at the same time. I felt his reasoning was not only beside the point but missed it entirely; I said what mattered most to me was the idea of the bench, the look of it there, to be gazed at with only the vaguest notion it could hold more people than would ever actually sit down. The life of the bench in my imagination was more important than any practical function the bench might serve. After all, I argued, we wanted a bench so that we could look at it, so that we could imagine sitting on it, so that, unexpectedly, a bird might sit on it, or fallen leaves, or inches of snow, and the longer the bench, the greater the expanse of that plank, the more it matched its true function, which was imaginary. My husband mentioned money and I said that I was happier to have no bench at all, which would cost nothing, than to have a four foot bench, which would be expensive. I said that having no bench at all was closer to the five foot bench than the four foot bench because having no bench served the imagination in similar ways, and so not having a bench became an option in our argument, became a third bench. We grew very tired of discussing the three benches and for a day we rested from our argument. "

xxx

5 comments:

gz said...

exactly.

soubriquet said...

I want to hear the rest of this stupid argument.
Now let it be said that to my mind a five-foot bench is infinitely better than a four-foot bench, for several reasons. I find the proportions more harmonious, that on a five-foot bench one has the option of reclining lengthways, that two can sit comfortably, companionably, both apart and together, there's room for a book or two, or a sandwich and a mug of tea.
The 'no bench' option lacks all possibilities, save that the mind's eye can fill the same space with all manner of possibilities, gazebo, bedouin tent, sleeping elephant etcetera.
The four foot bench, chosen after this argument, remains an eternal reminder of cheapskatery.
However, speaking as a man, i'd say that bench will look better, smell better, last longer if it gets a yearly coating of Danish, or Tung oil. It will certainly remain better looking if she shoots any bird that tries to perch on it, and sweeps off the fallen leaves that would promote rot.
We men are not so simple as you might think, but we do try to be practical. Her husband, obviously, thinks "Well, if she just wants a bench to NOT sit on, why waste money on a fancy one?", I can certainly understand that.

As for sadness, well, you're quite right, men try to fix things, and can not understand the female wish to embrace misery. Men, when miserable, withdraw to the cave, hammer on things, and work it out in solitude. We figure out that if it can be fixed we should fix it, if it can't then we should work through it, drown it out with activity, or ignore it.
How much is nature, how much nurture?
Little boys fall off their bikes, skin their knees, and are told to be brave, not make a fuss. Little girls tend to get fussed over.
Then we grow up, perhaps it stays with us. One has a role that embraces sorrow, the other is expected to be stoic.
Women have a tendency to want to sorrow in company. We're just wired differently.

red dirt girl said...

gz~
Amen, girlfriend!
xxx

red dirt girl said...

Soubry~

I believe this line in the bench soliloquy sums up the female point of view:

"The life of the bench in my imagination was more important than any practical function the bench might serve."

Men tend to practicalities and he's thinking no more than 2 people at a time, on occasion, will be sitting. He's not imagining the 'possibility' of the bench in the meadow, weathering year in and year out. Watching leaves drift across it, snow, rain, flower petals and butterflies. The idea of a cold glass of iced tea or lemonade and a stroll out into the meadow to run a hand along the worn surface of the bench. Four feet seems .... penury. Five feet, as a landscape designer, seems a more pleasing proportion. And as you pointed out allows for thoughts of a lie down, spreading out paints and paper, a pot of tea and tea cup, pillows and knees propped up, a stack of books and poetry. I believe the argument ended with the 'fifth' bench: the imagined bench as each gazed upon the meadow. He could see his 4 feet of practicality and she her ideal ...

xxx

red dirt girl said...

Here's the rest of The Bench argument. Don't say I didn't warn you about its dip into the banal ....!

"During this day I had many things to do and many of them involved my driving past other houses, none of which had benches, that is they each had the third bench, and as I drove past the other houses I could see a bench here and a bench there; sometimes I saw the bench very close to the house, against a wall or on a porch, and sometimes I saw the bench under a tree or in the open grass, cut or uncut, and once I saw the bench at the end of the driveway, blocking the road. Always it was a five foot bench that I saw, a long sleek bench or a broken down bench, a bench with a slatted back or a bench with a solid, carved back, and always the bench was empty. But I knew that for my husband the third bench was only four feet long and he saw always two people sitting on it, two happy or tired people, two people who were happy to be alive or two people tired from having worked hard enough to buy the bench they were sitting on. Or they were happy and tired, happy to have reached the end of some argument, tired from having had it. For these people, the bench was an emblem of their days, which were fruitful because their suffering had come to an end. On my bench, which was always empty, nothing had come to an end because nothing had begun, no one had sat down, though the bench was always there waiting for exactly that to happen. And the bench was always long enough so that someone, if he desired to, could lie all the way down. That day passed. Another day followed it and my husband and I began, once more, to discuss the bench. The sound of our voices revealed a renewed interest and vigor. I thought I sensed in him a coming around to my view of the bench and I know he sensed in me a coming around to his view of the bench, because at one point I said that a four foot bench reminded me of rough notes towards a real bench while a five foot bench was like a fragment of an even longer bench and I admitted it was at times hard to tell the difference. He said he didn’t know anything about the difference between rough notes and fragments but he agreed that between the two benches there was, possibly, just perbench and I admitted it was at times hard to tell the difference. He said he didn’t know anything about the difference between rough notes and fragments but he agreed that between the two benches there was possibly, just perhaps—he could imagine it—very little difference. It was, after all, only a foot we were talking about. And I think it was then, in both of our minds, that a fourth bench came into being, a bench that was only a foot long, a miniature bench, a bench we could build ourselves, though of course we did not. This seemed to be, essentially, the bench we were talking about. Much later, when the birds came back, or the leaves drifted downwards, or the snow fell, slowly and lightly at first, then heavier and faster, it was this bench that we both saw when we looked out the window at the bench we eventually placed in the meadow which continued to grow as if there were no bench at all."